He laughed. “Don’t be surprised,” he said, “if I make a mistake occasionally and call you Lena.” “Tell the other women,” he said. “Open their eyes. Tell them of their sons that you have seen dead and dying in the foolish quarrel for which there was no need. Tell them of the foulness, of the cruelty, of the senselessness of it all. Set the women against War. That is the only way to end it.”!

He had a sweet, almost girlish face, with delicate skin that the Egyptian sun had deepened into ruddiness; with soft, dreamy eyes and golden hair. He looked lithe and agile rather than strong. He was shy at first, but once set going, talked freely, and was interesting. He turned and leant over his desk. “I guess they’ll have to find another leader if they’re in a hurry,” he added. “I don’t seem able to think about turnips and cows.”

“It doesn’t seem to answer,” grumbled Madge. “One is always told it is the artist—the brain worker, the very men who have these fine instincts, who are the most sexual.” She had sent a note by messenger to Mary Stopperton to say she was coming. Mary had looked very fragile the last time she had seen her, just before leaving for France; and she had felt a fear. Mary had answered in her neat, thin, quavering writing, asking her to come early in the morning. Sometimes she was a little tired and had to lie down again. She had been waiting for Joan. She had a present for her. The other was a young priest. He wore the regulation Red Cross uniform, but kept his cassock hanging on a peg behind his bed. He had pretty frequent occasion to take it down. These small emergency hospitals, within range of the guns, were reserved for only dangerous cases: men whose wounds would not permit of their being carried further; and there never was much more than a sporting chance of saving them. They were always glad to find there was a priest among the staff. Often it was the first question they would ask on being lifted out of the ambulance. Even those who professed to no religion seemed comforted by the idea. He went by the title of “Monsieur le Prêtre:” Joan never learned his name. It was he who had laid out the little cemetery on the opposite side of the village street. It had once been an orchard, and some of the trees were still standing. In the centre, rising out of a pile of rockwork, he had placed a crucifix that had been found upon the roadside and had surrounded it with flowers. It formed the one bright spot of colour in the village; and at night time, when all other sounds were hushed, the iron wreaths upon its little crosses, swaying against one another in the wind, would make a low, clear, tinkling music. Joan would sometimes lie awake listening to it. In some way she could not explain it always brought the thought of children to her mind.